movements, made for some of the most intense moments in the play. David L Morris took on the challenge of portraying both Nurses Nisbett and Grice, and his performance was impressive. He managed to differentiate the two characters with distinct accents, postures, and mannerisms, seamlessly switching between them in the same scene. This dual portrayal added a layer of complexity to the production, and Morris’ ability to pull it off so effortlessly was a testament to his skill. Morris used strong mannerisms to inject softness, gossip and to voice their concerns into the storyline. It was fascinating to witness and Morris should be really proud of himself for what he has achieved – I wouldn’t have liked to have done it that’s for sure! The wardrobe and props team did an amazing job. Every costume, from Lucy’s nightgown to Dracula’s imposing cloak, was meticulously crafted to fit the Victorian era. The attention to detail was impeccable, with props like typewriters, crockery, and harnesses all contributing to the authenticity of the world on stage. The collaboration with the Millgate Arts Centre to source props was a wonderful example of community theatres supporting one another, and I hope this partnership will continue to flourish and benefit the patrons of both Oldham and Tameside. Van Helsing, portrayed by Paul James, brought wisdom and a steady hand to the proceedings. His calm, measured voice and clear projection made him the authority figure the play needed. James’ portrayal was confident and assured,
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