charming delivery guy. From the moment he strutted onto the stage, Mell fully embraced Kyle’s over-the-top persona, bringing just the right amount of swagger and comic timing to every moment. His exaggerated entrances and comic physicality had the audience in stitches, with each appearance building on the character’s larger-than-life presence. Mell’s chemistry with Emma Johnson’s Paulette was fantastic, particularly in their humorous, yet sweet, interactions. His portrayal of Kyle, complete with spot-on comic expressions and a playful confidence, made him a standout in the show, providing some of the most laugh-out-loud moments of the production. Ellie O'Grady brought a delightful burst of humour and individuality to the role of Enid, making the character stand out as one of the most memorable supporting roles in the production. With her quirky, activist persona, O'Grady perfectly captured Enid's fierce independence and unapologetic passion for social justice, adding a refreshing contrast to the more glamorous characters around her. Her comic timing was impeccable, and she made the most of every moment on stage, delivering witty lines with sharpness and flair. Despite Enid’s eccentricities, O'Grady played her with a level of sincerity that made the character both relatable and endearing, contributing a unique charm to the ensemble. A special mention must go to the dance ensemble, whose slick routines and boundless energy elevate every musical number. The choreography by Rachel Capper is both ambitious and excellently executed, with the entire ensemble moving as one cohesive unit. The Irish dance was genius, and the whole cast did a brilliant job - same for the cheerleader routine - very slick. The ensemble as a whole did a marvellous job - always on stage for a reason and used to move the set and furniture with purpose. Some of the standout ensemble moments were when they were totally silent in the background, but somehow stole the moment. The silent waiters and violinist in the cafe scene had us all chuckling, as well as the perfume sprayers in the department store - tiny moments overall, but perfectly formed. The costume department - which I believe consists of director Caroline Coles and her mum - need to be congratulated. All the outfits were correct - from the essential pink of Elle, to the cheerleader outfits, prison uniform, and “student look” - really enhanced the
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