Act Reviews 2024 / 2025 Season

DEATHTRAP by Ira Levin Directed by Pete Curran Droylsden Little Theatre This play cleverly refers to itself as a "play within a play" and is set in the 1970s. As the curtain rose, we were introduced to Sidney Bruhl’s study, which served as the stage’s sole location. The set design, crafted by members of the society, was a true highlight. The study featured floral wallpaper, leather chairs and sofas, bookshelves, and veranda doors, all adding to the authentic 1970s atmosphere. The props team did an excellent job, sourcing period-specific items such as a glass ashtray, American currency, a vintage phone, framed window cards, and typewriters. The entire set was visually impressive, though there were a few noticeable paint splatters on the stage floor. These minor details didn’t detract from the performance. John Derry took on the lead role of Sidney Bruhl in his debut performance at Droylsden Little Theatre. His strong projection and wellcontrolled "upper-class" accent added depth to his portrayal of Sidney, a manipulative and compulsive liar. Sidney, a playwright who also runs seminars for aspiring writers, becomes envious of his former student Clifford’s new play, "Deathtrap." The plot thickens when Sidney invites Clifford to his Westport home to discuss the script, only to hatch a plan to steal it. Derry brought authenticity and power to the character, capturing Sidney’s darker, more deceitful nature. Cameron Kennedy played Clifford, maintaining a steady American accent with a slight lisp. He brought to life the character of Clifford as a shy, submissive, and relatable figure, effectively setting up the tension that drives the play forward. Sidney’s wife, Myra, was played by Stella Hutchinson, who also portrayed

RkJQdWJsaXNoZXIy ODU3MzQ=