between the characters even in his spectral form. Michelle Arthur played Ruth, Grace’s older sister, who had flown in from her missionary work to support Grace during her time of mourning. Arthur’s portrayal of Ruth was spot-on; she had great pitch in her voice and perfectly captured her character’s genuine concern. As the play progressed and Ruth’s own emotional turmoil surfaced, Arthur’s performance became even more compelling. Her portrayal of Ruth’s growing anxiety and eventual emotional breakdown during a key revelation felt incredibly sincere. Lauren Lockett took on the role of Jo, Grace’s daughter, who constantly tried to mediate the family’s issues. Jo is at the centre of the family dynamic, attempting to fix everyone’s problems while acting as the emotional glue holding them together. Lockett’s portrayal was both touching and relatable, showing Jo’s selfless devotion to her family despite her own emotional burdens. Helena Rose Lockett played Sarah, the incoming prospective vicar, who steps into the family dynamic as she contemplates her future career path. Lockett’s performance as Sarah was delicate and natural. She handled her character’s sympathetic and reflective tones with care, portraying Sarah as a kind, gentle soul who still had the strength to assert herself when needed. A key feature of the production was the creative use of the set. Downstage right featured a stream, which served as a secondary location for key moments in the story. The technical team, by Kathryn Lewis, Jack Metcalf, and Jim Rowe, did a fantastic job in creating distinct atmospheres. The stream was bathed in cool greens, blues, and soft white LED lights,
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