behind a semi-opaque barn flat. A very clever way of dealing with the overnight ogre scene without having to put on, and take off, green makeup in rapid time. The lovely gobo that was used during Fiona’s “transformation” scene added a lovely magical effect. Costuming was obviously a massive endeavour, with ensemble members playing multiple characters throughout. And every piece was spot on and enhanced each character - even the more awkward costumes were worn well - looking at you Humpty Dumpty! Director Natalie Bowden, Musical Director Claire Sweeney, and Choreographer Cathryn Yates deserve immense credit for their work. From the slick pacing to the infectious musical numbers and inventive choreography, their combined efforts ensured a polished and thoroughly enjoyable production. The 15-piece band was quite astonishing – although, sadly sometimes, the sound balance wasn’t quite right, and some of the lyrics weren’t clear enough above the rousing music. But it didn’t detract from the overall show. True to the original story’s spirit, this stage adaptation brought comfort and familiarity, making it a feel-good experience for audiences of all ages. The green Shrek ear headbands worn by children in the audience added to the magic, making it clear this production resonated with the younger crowd as much as the adults. New Mills A.O. & D.S. once again proved its ability to create high-quality theatre. Shrek The Musical was a triumph - a celebration of friendship, individuality, and the power of a well-timed codpiece! Many thanks for the warm hospitality, and I look forward to seeing the next production from New Mills A.O. & D.S..
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