each period, style, and character. Particularly notable were the space-age, Bond-esque, silver, one-piece outfits, complete with pointy-busted space mini dresses and silver wigs. The period clothing and detectives' trench coats were spot-on, and the modern-day ensembles perfectly reflected each character's personality—Jess’ farming attire, Clem's Star Wars top, and Vivvi's fabulous Christmas outfit. Considering the diversity of characters and stories, not to mention the quick changes required, the costume design was impressively executed. Director Alison Bell made several astute choices that elevated the production, particularly in terms of stage movement and characterizations. Her effective use of the stage and its multiple exits kept the pace lively, especially during the more absurd and chaotic moments of the second act. The actors seamlessly transitioned between multiple characters and genres, a testament to Bell's skill in managing and directing such a complex piece. Stage manager Graham Haworth played a crucial role behind the scenes. The frequent swaps of the ever-changing telephone prop, signifying shifts in the storyline, were handled flawlessly. One can only imagine the controlled chaos backstage as actors hurriedly changed costumes and props, yet the transitions appeared effortless to the audience. Lighting and sound by Ryan Clegg and Alex Pickup were subtle yet effective, providing essential cues for scene changes and time shifts. The minimalistic approach worked well, with lighting changes indicating whether we were in a period piece or a modern setting. The use of a multicoloured light strip and spacey noises during the appearance of the "mother ship" added a delightful sci-fi element. One minor critique might be the consistent blue light behind the window; while it worked marvellously during the thriller, evening-time scenes, a shift to yellow or white could have better represented scenes set in spring or daytime. Nevertheless, the timing with characters turning on light switches and the alien-detecting poles was impeccable. The inclusion of relevant music, such as the Beatles' "Paperback Writer," and synth sounds enriched the production's atmosphere. Robin Brown delivered a stellar performance as
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